In the Mood for Texture: The Revival of Bangkok as a Chinese City Nowhere As Europe finds itself once

As Europe finds itself once again caught between two superpowers – the USA and a rising China – little has been written about a relationship that will have a profound influence on the international order: the relationship between the People’s Republic of China and Germany

1923年8月15日出生於江蘇無錫。先後就讀於北京燕京大學經濟系、聖約翰大學經濟系。

在世界史的大框架内，以中国史为经线，将中外历史采合为一体，为补充一般历史教科书而撰写了这样一本类似教科书的读物。本书是关乎人类历史诸多方面的论述，比如文明、文化、政治、经济、社会等，小书一册尽显历史大脉络，以全球的视角，纵横交错，颠覆你对历史常识的刻板印象。

" ― Gregory Maguire

因此，遇罗克和血统论生死博斗的故事虽已过去了四十年，仍给人温故知新的无限感触，说明这种封建传统，在中国是何等顽强而深厚！林昭在反右运动后，对谭天荣说，这场较量，我输了，但这不算完。来到文革，遇罗克的抗争，又一次输了。六四的学生们，也以血洒长安街而告终。中国读书人的鲜血，就这样前赴后继地灌溉着这块土地。正如遇罗克所盼，度过严冬，终有开花结果的一天。只有在那时，血统论和它派生的人间悲剧才会成为历史。

In the Mood for Texture: The Revival of Bangkok as a Chinese City Nowhere As Europe finds itself onceIn the Mood for Texture considers the revival of Chinese pasts and the aesthetics of colonial modernity in contemporary Southeast Asian cultural production, both virtual and material. By analyzing how twentieth century Shanghai and Hong Kong have been revived in modern Bangkoks architecture, design, fashion, and nightlife, Arnika Fuhrmann shows how Chinese pasts are redeployed in contemporary film, literature, and hospitality venues to shape present